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Fall Time Korean Kim Ki-duk. The Selection Review

Time , thirteenth film by Kim Ki-duk said the difficult love between Seh-hee and Ji-woo, an intense love, marked by fear of her time, the habit, the boredom, destroy this intensity. In the evening when Ji-woo can not make love to another woman asked him to imagine. The next day, Seh-hee disappears without a trace. Undergoing a plastic surgery procedure, with the idea of \u200b\u200bbeing able to turn the heat off. When you reappear, without revealing his identity, the story takes a turn increasingly away from the one you want ... Film intense and full of symbolism, happy to lead the viewer into of his labyrinth, unresolved and not entirely convincing in its development, Time is a work richer dialogue than the previous film but always loads the visual aspect of Kim Ki-duk. A search on time, on his return continued on its relentless pace. Love in time. Film complex and simple, charming and irritating (like the main character). Not as successful as other works of Kim but worthy of careful viewing. To be able to love or hate. It is part of the game, if you want to continue playing with Kim. Then the time will have the last word ...

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Asian Venice

Expressions From the Center Film / Far East Film Udine receive and publish:

THE NEW DETECTIVE Johnnie To, Exiled, in competition at Venice! RICH is tempting SECTION FROM FAR EAST TO CHOOSE MARK MUELLER

is particularly tempting selection of Asian Cinema Exhibition Venice was announced yesterday at a press conference by its director Marco Mueller. The authors present the public are very famous names in the Far East Film Festival! Johnnie immense that does not disappoint and manages to surprise even the most devoted fan with Exiled - brilliantly chosen Mueller for the competition - the Chinese Feng Xiaogang, for the first time in his career, with THE BANQUET - aside temporarily His penchant for short stories metropolitan daily and in China today - makes a spectacular wuxiapian will be one of the Gala Show. Another new feature is the onset for a Thai film in the competition section: This is the latest effort by Apichatpong Weerasethakul. No less interesting are the Asian presence in the Horizons section signed by newcomer Chinese director Liu Jie, with Courthouse HORSE'S BACK ON by Malaysian-Chinese and I Yuhang with the haunting RAIN DOGS. But the most striking is certainly the name of the Korean director Ryoo Seung-wan (I'm still alive in our memory the visions of his former Udinese NO BLOOD NO TEARS and ARAHAN). Ryoo finally landed a major international festival and does so with an extraordinary film-fumettone played elegantly on the floor of the grotesque: The City of Violence . Obviously not to be missed, always after midnight, the action-comedy bittersweet ROB-B-Hood with Jackie Chan Benny Chan, the world premiere in Venice. To all the people of the Far East Film ... the appointment is at the Lido!

OUT OF COMPETITION - MIDNIGHT

JAKPAE [The City of Violence]

Dir: Ryoo Seung-wan - South Korea - 92 '

Main cast: Ahn Jae-mo, Ahn Kil-Kang, Jeong Seok-yong, Jo Deok-hyeon

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The Host: absolute master of the Korean box office.

Cyclone The Host arrived. Six million tickets sold in the first eleven days (two million only in the halls of the capital Seoul), a result never achieved by any other Korean film. Then beat the record of Taegugki , which had reached six million viewers in 17 days. The film, centered on the story of a family trying to save one of its components (> see previous post on the film) from the clutches of a monstrous creature emerged from the waters of the Han River, had been well received by critics with his debut at Cannes this year. A summer blockbuster that has already entered, then in the top ten most successful films in the history of Korean cinema. What is the secret of this? According to the first critical factor is the creative use of the subject monster. The film has attracted audiences also curious to see how it was made a monster Korean . Becomes even more relevant that a number of factors that includes high-quality visual effects and computer graphics, the sound of the plot, the emphasis on family values, the humanistic theme. With all this word of mouth among the spectators ran with great rapidity. The question now is: will The Host to break the record of all time (12 million admissions) recently established by The King and the Clown ?