Wednesday, August 9, 2006

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The Host: absolute master of the Korean box office.

Cyclone The Host arrived. Six million tickets sold in the first eleven days (two million only in the halls of the capital Seoul), a result never achieved by any other Korean film. Then beat the record of Taegugki , which had reached six million viewers in 17 days. The film, centered on the story of a family trying to save one of its components (> see previous post on the film) from the clutches of a monstrous creature emerged from the waters of the Han River, had been well received by critics with his debut at Cannes this year. A summer blockbuster that has already entered, then in the top ten most successful films in the history of Korean cinema. What is the secret of this? According to the first critical factor is the creative use of the subject monster. The film has attracted audiences also curious to see how it was made a monster Korean . Becomes even more relevant that a number of factors that includes high-quality visual effects and computer graphics, the sound of the plot, the emphasis on family values, the humanistic theme. With all this word of mouth among the spectators ran with great rapidity. The question now is: will The Host to break the record of all time (12 million admissions) recently established by The King and the Clown ?

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