Excerpts from the review the newspaper "Le Monde" of The Host, the Korean blockbuster has now arrived in French theaters, "Seoul, South Korea Born of a genetic mutation caused by the spill of toxic products into the river that runs through the city, and an amphibious monster carnivore has elected domicile as sewers and sowing death and destruction among the population. It takes a teenage prisoner, kidnapped before the eyes of his father, a small vendor of fried calamari. The girl's family is united to wrest it, despite the obstacles placed by the authorities ( who suspect that their father has been contaminated by a virus spread by the monster), the claws of the predator. After reading the plot summary that the reader is not particularly attracted gender will be curious to know if there are reasons to see this movie. There are many. First The Host broke the record for box office at home, with 14 million viewers. In addition, the director, Bong-ho Jooh, also in his third feature film renews a formula, as was done with the manga (Barking Dogs Never Bite , 2000) and police (Memories of Murder , 2003). But The Host is especially true for himself, thanks to an amazing director and carnival, with echoes of Rabelais. An open work in styles and influences, a joyous and free enterprise. The Host joins without losing strength, the monster movie and the realism, the anti-imperialist pamphlet and the Italian comedy, the Kafkaesque parable and fable humanist. Full of references to American archetypes of the genre (from King Kong to Alien , through Jaws ), performs the delicate wonder of sabotage without being reduced to a parody. The speed with which the creature is revealed there is evidence of the inclination of the director to turn like a glove to the canons of the genre. This lack of suspense in this show suggests that we are on the territory of the nobility of a great national myth and popular syncretism that is resistant to Hollywood. To do The Host, before a film of mutants had become what it is: a great movie mutant. "> go to the official website of the French film. Sunday, December 3, 2006
Can't Get Wet During Period
The Host in French cinemas. The review of Le Monde in
Excerpts from the review the newspaper "Le Monde" of The Host, the Korean blockbuster has now arrived in French theaters, "Seoul, South Korea Born of a genetic mutation caused by the spill of toxic products into the river that runs through the city, and an amphibious monster carnivore has elected domicile as sewers and sowing death and destruction among the population. It takes a teenage prisoner, kidnapped before the eyes of his father, a small vendor of fried calamari. The girl's family is united to wrest it, despite the obstacles placed by the authorities ( who suspect that their father has been contaminated by a virus spread by the monster), the claws of the predator. After reading the plot summary that the reader is not particularly attracted gender will be curious to know if there are reasons to see this movie. There are many. First The Host broke the record for box office at home, with 14 million viewers. In addition, the director, Bong-ho Jooh, also in his third feature film renews a formula, as was done with the manga (Barking Dogs Never Bite , 2000) and police (Memories of Murder , 2003). But The Host is especially true for himself, thanks to an amazing director and carnival, with echoes of Rabelais. An open work in styles and influences, a joyous and free enterprise. The Host joins without losing strength, the monster movie and the realism, the anti-imperialist pamphlet and the Italian comedy, the Kafkaesque parable and fable humanist. Full of references to American archetypes of the genre (from King Kong to Alien , through Jaws ), performs the delicate wonder of sabotage without being reduced to a parody. The speed with which the creature is revealed there is evidence of the inclination of the director to turn like a glove to the canons of the genre. This lack of suspense in this show suggests that we are on the territory of the nobility of a great national myth and popular syncretism that is resistant to Hollywood. To do The Host, before a film of mutants had become what it is: a great movie mutant. "> go to the official website of the French film.
Excerpts from the review the newspaper "Le Monde" of The Host, the Korean blockbuster has now arrived in French theaters, "Seoul, South Korea Born of a genetic mutation caused by the spill of toxic products into the river that runs through the city, and an amphibious monster carnivore has elected domicile as sewers and sowing death and destruction among the population. It takes a teenage prisoner, kidnapped before the eyes of his father, a small vendor of fried calamari. The girl's family is united to wrest it, despite the obstacles placed by the authorities ( who suspect that their father has been contaminated by a virus spread by the monster), the claws of the predator. After reading the plot summary that the reader is not particularly attracted gender will be curious to know if there are reasons to see this movie. There are many. First The Host broke the record for box office at home, with 14 million viewers. In addition, the director, Bong-ho Jooh, also in his third feature film renews a formula, as was done with the manga (Barking Dogs Never Bite , 2000) and police (Memories of Murder , 2003). But The Host is especially true for himself, thanks to an amazing director and carnival, with echoes of Rabelais. An open work in styles and influences, a joyous and free enterprise. The Host joins without losing strength, the monster movie and the realism, the anti-imperialist pamphlet and the Italian comedy, the Kafkaesque parable and fable humanist. Full of references to American archetypes of the genre (from King Kong to Alien , through Jaws ), performs the delicate wonder of sabotage without being reduced to a parody. The speed with which the creature is revealed there is evidence of the inclination of the director to turn like a glove to the canons of the genre. This lack of suspense in this show suggests that we are on the territory of the nobility of a great national myth and popular syncretism that is resistant to Hollywood. To do The Host, before a film of mutants had become what it is: a great movie mutant. "> go to the official website of the French film.
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